{"id":35131,"date":"2023-04-12T03:37:00","date_gmt":"2023-04-12T00:37:00","guid":{"rendered":"https:\/\/stage.akto.gr\/360%cb%9a-gallery\/interior-design-gallery\/"},"modified":"2025-12-17T13:31:36","modified_gmt":"2025-12-17T10:31:36","slug":"interior-design-gallery","status":"publish","type":"page","link":"https:\/\/stage.akto.gr\/en\/360%cb%9a-gallery\/interior-design-gallery\/","title":{"rendered":"Interior Design Gallery"},"content":{"rendered":"\n
\n

STUDENT PROJECTS<\/h2>\n\n\n

Interior Design Gallery<\/h1><\/div>\n\n
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Ioannis Promponas, 2025, NIEN – recovery – wellness – research<\/figcaption><\/figure>\n\n\n\n
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Nefeli Aivazoglou, 2025, SANATORIUM: Repurposing of Parnitha Sanatorium into a hotel experience space<\/figcaption><\/figure>\n\n\n\n
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Stefanos Stefanou, 2025, Layers of Time<\/figcaption><\/figure>\n\n\n\n
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Zoi Ouzouni, 2024“SADO” – POP UP TEAHOUSE STORE<\/figcaption><\/figure>\n\n\n\n
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Michail Fragkopoulos, 2024, Repurposing of Nea Makri Porcelain Factory<\/figcaption><\/figure>\n\n\n\n
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Anastasios Apostolou, 2024, Repurposing of Kalamari Industrial Complex<\/figcaption><\/figure>\n\n\n\n
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Chrysoula Makridaki, 2024, Repurposing of the factory of the Hellenic Chemical Products and Fertilizers Anonymous Company (AEECHPL)<\/figcaption><\/figure>\n\n\n\n
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Marianna Rapakoulia, 2024, DESIGN DOESN’T FREEZE<\/figcaption><\/figure>\n\n\n\n
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Michail Fragkopoulos, 2024, Repurposing of Nea Makri Porcelain Factory<\/figcaption><\/figure>\n\n\n\n
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Argyrou Papagalou, 2024, Repurposing Study of the Xenia Hotel in Mykonos<\/figcaption><\/figure>\n\n\n\n
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Stavros Sgouros, 2019, Red sands u6: Repurposing of WWII war machines<\/figcaption><\/figure>\n\n\n\n
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Anastasios Apostolou, 2024, Repurposing of Kalamari Industrial Complex<\/figcaption><\/figure>\n\n\n\n
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Stavros Sgouros, 2019, Red sands u6: Repurposing of WWII war machines<\/figcaption><\/figure>\n\n\n\n
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Alexios Koulouras, 2024, REINCAR(c)NATION-LANE-PROJECT<\/figcaption><\/figure>\n\n\n\n
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Anastasios Apostolou, 2024, Repurposing of Kalamari Industrial Complex<\/figcaption><\/figure>\n\n\n\n
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Panagiota Afroditi Tzortzi<\/figcaption><\/figure>\n\n\n\n
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Konstantinos Tsilivis<\/figcaption><\/figure>\n\n\n\n
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Alexios Koulouras, 2024, REINCAR(c)NATION-LANE-PROJECT<\/figcaption><\/figure>\n\n\n\n
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Stavros Sgouros<\/figcaption><\/figure>\n\n\n\n
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Stavros Sgouros<\/figcaption><\/figure>\n\n\n\n
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Stefania Aikaterini Kouvousi<\/figcaption><\/figure>\n\n\n\n
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Petros Partalidis<\/figcaption><\/figure>\n\n\n\n
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Panagiota Afroditi Tzortzi<\/figcaption><\/figure>\n\n\n\n
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Maria Fake, 2025, Piscina Mirabilis: In the Bacoli Area<\/figcaption><\/figure>\n\n\n\n
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Alexandros Vasilopoulos, 2025, Repurposing of the Old Piraeus Port Authority (OLP) Passenger Terminal (Pagoda)<\/figcaption><\/figure>\n\n\n\n
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Dimitra Galani, 2024, Repurposing of the Northern Section of the Agricultural University of Athens<\/figcaption><\/figure>\n\n\n\n
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Georgios Rafail-Theodoridis, 2024, Revive the Timeless<\/figcaption><\/figure>\n\n\n\n
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Marianna Rapakoulia, 2024, DESIGN DOESN’T FREEZE<\/figcaption><\/figure>\n\n\n\n
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Panagiotis Kyriazis, 2024, Repurposing of Sarlitza Palace Hotel in Thermi, Lesvos<\/figcaption><\/figure>\n\n\n\n
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Frantzeska Gkerdouki, 2024, Repurposing of the High Angle Battery<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Alexios Koulouras, 2024, REINCAR(c)NATION-LANE-PROJECT<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Panagiota Afroditi Tzortzi<\/figcaption><\/figure>\n\n\n\n
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Athanasia Bouka, 2024, Repurposing of the French Mining Ladder in Lavrio<\/figcaption><\/figure>\n\n\n\n
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Rodianna Lamprianidou, 2024, Destination Restaurant in Legrena – Attica<\/figcaption><\/figure>\n\n\n\n
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Argyrou Papagalou, 2024, Repurposing Study of the Xenia Hotel in Mykonos<\/figcaption><\/figure>\n\n\n\n
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Eugenia Kavraki, 2016, Esoterra \u2013 Soul and body spa resort<\/figcaption><\/figure>\n\n\n\n
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Maria Zamani, 2020, Repurposing of the “Xenia” Hotel in Nafplio<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Panagiota Afroditi Tzortzi<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ilias Makos<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Nikoletta Afentouli<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Maria Latanioti<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Maria Latanioti<\/figcaption><\/figure>\n\n\n\n
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Evgenia Kavraki<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Evangelos Kanellis<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Evangelos Kanellis<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ilias Makos<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Efrosini Gkatzoli<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Tizen Kints<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

STUDENT PROJECTS<\/p>\n","protected":false},"author":4,"featured_media":35134,"parent":34945,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-generic-template","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-35131","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"thumbnail":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-150x150.jpg",150,150,true],"medium":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-300x167.jpg",300,167,true],"medium_large":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-768x429.jpg",768,429,true],"large":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"1536x1536":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"2048x2048":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"hero-1360px":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"news-1250px":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59.jpg",914,510,false],"rect-680px":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-680x510.jpg",680,510,true],"slider-540px":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-740x416.jpg",740,416,true],"loop-670px":["https:\/\/stage.akto.gr\/wp-content\/uploads\/2024\/02\/APOSTOLOPOULOU-Main-Project-59-692x384.jpg",692,384,true]},"uagb_author_info":{"display_name":"Kyrimi","author_link":"https:\/\/stage.akto.gr\/en\/author\/athanassopoulou\/"},"uagb_comment_info":0,"uagb_excerpt":"STUDENT PROJECTS","_links":{"self":[{"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/pages\/35131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/comments?post=35131"}],"version-history":[{"count":1,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/pages\/35131\/revisions"}],"predecessor-version":[{"id":35146,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/pages\/35131\/revisions\/35146"}],"up":[{"embeddable":true,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/pages\/34945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/media\/35134"}],"wp:attachment":[{"href":"https:\/\/stage.akto.gr\/en\/wp-json\/wp\/v2\/media?parent=35131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}